![\"Noise](\"\/en\/files\/media\/2021\/07\/nr1.jpg\")
<\/p>\nIn recent years, there has been an increase in the number of locations that cannot use a tripod, and there has been an increase in the number of situations in which it is necessary to shoot with high ISO speed. We\u00a0believe that in such a scene you care about is the noise.\u00a0This article introduces the types, conditions, and mitigation methods of noise generated by digital cameras.<\/p>\n
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The first thing we would like to tell you is that even at low ISO speed, the digital camera data contains noise components.\u00a0The reason why the noise is not noticeable is that it is made invisible by image processing such as noise reduction.<\/p>\n
RAW Development uses its Noise reduction on a PC’s CPU, which has a higher performance than the camera’s image-processing circuitry so that more advanced noise-reduction performance can be achieved.\u00a0Now let’s start by looking at the kind of noise.<\/p>\n
<\/p>\n
The “False color,” also known as color noise, refers to a phenomenon in which the coloring of pixels, such as red, blue, and green, that is not present in the subject, occurs randomly.<\/p>\n
When the ISO speed of a digital camera is set to a high setting, pixels with colors such as red, blue, and green may be noticeable.<\/p>\n
![\"Color](\"\/en\/files\/media\/2021\/07\/nr2.jpg\")
<\/p>\n
It is sometimes referred to as “Random noise” because it occurs as a random pattern when an image sensor such as a CMOS or CCD is energized (when the shutter is released).\u00a0It occurs over a wide area to cover the entire screen. So, we think that many people don’t like it when making large-scale prints, etc.<\/p>\n
This color noise can be mitigated by setting the Color distortion in Noise reduction to a higher value when using SILKYPIX Developer Studio Series (hereinafter referred to as SILKYPI X series).<\/p>\n
![\"Color](\"\/en\/files\/media\/2021\/07\/03.jpg\")
<\/p>\n
SILKYPIX series-default settings also use the “Dynamic defaults,” which vary depending on ISO speed and image sensor characteristics when shooting, so some Noise reduction effect is applied to the image when you open RAW files.\u00a0However, if you use the Exposure to brighten a photograph when RAW Development, noise may be noticeable. If this happens, adjust the Noise reduction accordingly.<\/p>\n
![\"After\"](\"\/en\/files\/media\/2021\/07\/nr4.jpg\")
<\/p>\n
This example used Color distortion to alleviate color noise.\u00a0Red, blue, and green pixels are no longer colored, but the area from which the false color is removed has an achromatic roughness.\u00a0This is known as “Luminance noise,” which we will introduce in more detail later.<\/p>\n
Noise that causes coloring, such as red, blue, and green, to appear mainly in dense areas of the subject is called moire.\u00a0Moire occurs when you shot a subject with a fine structure.\u00a0It can also occur at low ISO speed.<\/p>\n
![\"Color](\"\/en\/files\/media\/2021\/07\/nr5.jpg\")
<\/p>\n
Among them, false colors that occur in stripes on the part of a subject arranged in a periodic pattern are also called “Color moire.”<\/p>\n
In the SILKYPIX series, the color moire can be mitigated by setting the Color distortion parameter in Noise reduction to a higher value.<\/p>\n
![\"Reduce](\"\/en\/files\/media\/2021\/07\/03-1.jpg\")
<\/p>\n
For color moire that cannot be removed by Color distortion, it can be relaxed by checking “Reduce Moire.”<\/p>\n
![\"After\"](\"\/en\/files\/media\/2021\/07\/nr6.jpg\")
<\/p>\n
This example used Color distortion to alleviate color moire.\u00a0Not only is the noise removed, but the actual details of the subject are reproduced.<\/p>\n
“Color distortion” alleviates coloring, but we recommend that you pay attention to the following side effects and use them.<\/p>\n
Partial loss of color saturation<\/strong><\/p>\n The saturation of colors close to the primary color, such as RGB, may decrease.<\/p>\n <\/p>\n The graininess of an achromatic color that remains after removing color noise with Color distortion is called “Luminance noise.”<\/p>\n Not all luminance noise has to be completely eliminated. There are left to create a high ISO speed shoot feel or to create a retro-wild feel.\u00a0Also, when printing smaller than A4, it may not be noticeable by shrinking.<\/p>\n In the SILKYPIX series, the luminance noise can be mitigated by adjusting the Smoothness parameter in Noise reduction.<\/p>\n SILKYPIX series-default settings also use the “Dynamic defaults,” which vary depending on ISO speed and image sensor characteristics when shooting, so some Noise reduction effect is applied to the image when you open RAW files.\u00a0For this reason, it is recommended that you set a value lower than the initial value when you want to retain a grainy feeling.<\/p>\n This is an example in which luminance noise was mitigated by Smoothness.\u00a0If you want to alleviate the high ISO speed granularity, we recommend that you keep in mind the side effects below and apply them at a minimum.<\/p>\n Smoothness can mitigate luminance noise such as graininess and roughness, but excessive use may reduce the resolution.<\/p>\n In this way, the relationship between the Smoothness effect and the image resolution is a trade-off (inversely proportional) relationship, so you need to make settings while observing these two balances.\u00a0In addition, when you open a photograph taken with high ISO speed on the SILKYPIX, if you feel that the photo is poor (poor resolution, the picture looks blurred), it may improve by reducing the Noise reduction.<\/p>\n <\/p>\n The noise will be mixed up on the image sensor before “charge” is converted to “data.”\u00a0\u00a0The figure below is a conceptual diagram of the image sensor.<\/p>\n 1. Conversion of light to charge by a photodiode<\/strong><\/p>\n Light passing through the camera lens is resolved into pixels by a microlens and color filter, and the intensity of the light is converted into an electrical signal by a sensor called (1) the photodiode.\u00a0Even if 100 light is applied to the photodiode, the amount of light actually taken in is 99 or 101, which varies with each pixel.\u00a0\u00a0This fluctuation is known as “Shot noise,” which tends to have a particularly large effect in dark areas.<\/p>\n 2.\u00a0Transmission of electrical signals on the sensor<\/strong><\/p>\n Electrical signals are transferred to (3) the AD converter through the transmission path on the sensor.\u00a0At this stage, the data is still in the state of an electrical signal (analog), so it will be affected by external noise.\u00a0For example, you can think of it as a situation like AM radio or analog television.<\/p>\n 3.\u00a0Digitization (coding) with an AD converter<\/strong><\/p>\n The transferred electrical signals are converted into digital data by an AD converter located in the image sensor.\u00a0Once the data has been converted, it will not be affected by external noise.\u00a0However, noise mixed in (1) and (2) is also recorded as digital data at the same time.<\/p>\n In this way, RAW files contain more or less noise from the image sensor.\u00a0It is possible to reduce noise by discriminating only the components of noise from this data and subtracting it. However, separating the components of the subject from the noise requires very advanced image processing technology, and each company has devised it.<\/p>\n <\/p>\n From here, we would like to say that it is possible to create work that could not be done by combining “high ISO speed shooting” with “excellent noise reduction.”<\/p>\n Noise reduction from a single photo typically uses neighboring pixel info to process noise.\u00a0Apart from this, recent improvements in digital camera performance have resulted in noise reduction that combines multiple images taken sequentially to reduce noise.<\/p>\n Since it is used for noise processing by referring to pixel information at the same position from several images, it is not only more effective for noise rejection than common (from a single image) noise reduction, but also has fewer side effects of blurring the picture.\u00a0Rather, this processing method can improve resolution.<\/p>\n This is a noise reduction that is expected in the future as devices such as image sensors evolve.<\/p>\n In fact, multi-shot noise reduction using multiple images has traditionally been used for astronomical photography and other purposes.\u00a0However, if the camera moves a little bit, it would not be able to compose properly.<\/p>\n Therefore, SILKYPIX Developer Studio Pro10 can detect matching points of several images and perform composition to reduce noise while automatically aligning them. Multi-shot noise reduction can be performed even with hand-held shooting.<\/p>\n <\/p>\n In some cases, you may be needed to shoot dark scenes, such as indoor sports, activities, or nightly events.\u00a0Of course, the shutter speed will be slower due to insufficient brightness.\u00a0Also, many locations that are “Tripod prohibited” or “Strobe prohibited” cause blur to become an issue.<\/p>\n As long as there is no special intention to create a photo, blurring can lead to a deterioration in image quality.\u00a0Sometimes, the problem of poor focus or poor lens resolution was a slight “camera shake” when shooting.\u00a0Furthermore, image blur cannot be corrected fairly well during RAW development.<\/p>\n It is recommended that you increase ISO speed until the image stabilization shutter speed is reached, and then release the shutter at a high speed to minimize image blur.\u00a0If shutter speed becomes faster, it will be easier to shoot and shoot at a higher tempo, so is it more likely that you are able to shoot better scenes.<\/p>\n When shooting at high ISO speed, noise can be adjusted with Noise reduction on RAW Development software to obtain a higher-quality photo.\u00a0As a result, using Noise reduction’s high-performance RAW Development software increases the possibilities of your photos.<\/p>\n <\/p>\n For example, if you use a tripod to fix the camera in place under any dark scene and use the slow shutter mode, as shown in the photograph below, the subject will not be blurred by camera movement or subject movement.\u00a0Therefore, there is no need to increase ISO speed, high-quality photographs.<\/p>\n However, if the subject is moving in a dark scene, the shutter speed will not rise at low ISO speed even when the camera is fixed on a tripod, which increases the chance of subject blur.\u00a0To avoid camera shake and subject blur, adjust ISO speed to obtain a shutter speed that will allow you to take photos while holding the camera.<\/p>\n High ISO speed allows for a new field of photography called “Night motion photography”, making it more familiar to take photos in dark scenes.\u00a0Noise reduction is a key element of this process.\u00a0In addition, high ISO speed + high-speed shutters are expanding the range of expressions unique to “Show at the Instant of a Subject” photographs in bright areas, particularly fast-moving wild birds and sports.\u00a0Why don’t you take on the challenge of taking photos of scenes that everyone has been blurring and giving up?<\/p>\n <\/p>\n <\/p>\n Useful Information<\/strong><\/p>\n![\"Disadvantages](\"\/en\/files\/media\/2021\/07\/nr7k.jpg\")
<\/p>\nLuminance noise<\/h3>\n
\n![\"Luminance](\"\/en\/files\/media\/2021\/07\/ln1.jpg\")
<\/p>\n![\"Smoothness\"](\"\/en\/files\/media\/2021\/07\/ln2.jpg\")
<\/p>\n![\"After\"](\"\/en\/files\/media\/2021\/07\/ln3.jpg\")
<\/p>\n\n
![\"Disadvantages](\"\/en\/files\/media\/2021\/07\/ln4k.jpg\")
<\/p>\nNoise Generation Mechanism<\/span><\/h2>\n
“Noise in the analog circuit” generated on the image sensor<\/h3>\n
\n![\"\u201cNoise](\"\/en\/files\/media\/2021\/07\/nr1-1.jpg\")
<\/p>\n\n
Expanding photographic possibilities with high ISO speed shooting<\/span><\/h2>\n
Multi-Shot Noise Reduction<\/h3>\n
\n![\"Multi-Shot](\"\/en\/files\/media\/2021\/07\/nr2-1.jpg\")
<\/p>\n![\"Multi-Shot](\"\/en\/files\/media\/2021\/07\/comp_nr_all.jpg\")
<\/p>\n![\"Comparison\"](\"\/en\/files\/media\/2021\/07\/nr3.jpg\")
<\/p>\n\n
![\"Image](\"\/en\/files\/media\/2021\/07\/nr4-1.jpg\")
<\/p>\nShould Blur or Noise be Prioritized?<\/h3>\n
\n![\"Should](\"\/en\/files\/media\/2021\/07\/nr5-1.jpg\")
<\/p>\nSlow shutter with a tripod or high ISO speed hand-held shooting?<\/h3>\n
\n![\"Slow](\"\/en\/files\/media\/2021\/07\/DSCF0037.jpg\")
<\/p>\n![\"adjust](\"\/en\/files\/media\/2021\/07\/DSC_3079.jpg\")
<\/p>\n
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